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Tuesday, April 23, 2019

GLD OneMix

Posted by Mikers On July - 30 - 2013 ADD COMMENTS

mzl.ucpphyoa.480x480-75Allen & Heath GLD OneMix

GLD OneMix personal monitor control application V1.21 for iPad

OneMix is a cut down version of the GLD Remote app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the ‘Admin’ user to give each musician customised personal monitor control via Wi-Fi connection to GLD without the risk of affecting the other monitors or FOH main mix.

V1.21 is the first release of OneMix for GLD. It is compatible with GLD systems running a version of V1.2 firmware.

OneMix features:

Provides access to just one mono or stereo monitor (Aux) mix
Prevents access to the other monitors and FOH main mix
Can be configured to provide as much or as little control as needed
Shows metering of sends and Aux master
Can be password protected
Can run multiple iPads alongside GLD Remote and mixer

Logon as a User provides personal control of their:
—- Monitor (Aux) master level and mute
—- Monitor master PEQ, GEQ and Comp if enabled
—- Send levels and stereo pan to the monitor
—- Send Mute, Gate, PEQ, GEQ, Comp if enabled
—- DCA group levels if assigned

Logon as Admin allows custom setup:
—- Set a OneMix session name to identify the user
—- Choose an Aux (monitor) mix
—- Assign a ‘My Mix’ layer and up to 3 custom layers
—- Assign up to 8 strips in the My Mix layer
—- Assign up to 32 strips per custom layer
—- Assign sends – Inputs, FX returns, Groups
—- Assign DCA masters
—- Assign blank spaces in layers
—- Name each layer
—- Enable or disable channel processing and mutes per layer

Requirements:

iPad with iOS5 or higher. Any GLD mixer running firmware version V1.20 or higher, and with a suitable Wi-Fi router (wireless access point) connected to the GLD Network port. The GLD firmware version maintenance number does not need to be identical to the OneMix version, for example OneMix V1.21 will run on GLD V1.22.

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C-Mark controller for iPad

Posted by Mikers On June - 28 - 2013 ADD COMMENTS

Seen the new CDM12 digital mixer from C-Mark? Nope? Neither had I, but it looks pretty sweet. Here’s a brief run down –

CDM12 digital mixer

It is the first universal type digital mixer in the world, filling the gaps of core digital products terminal in sound reinforcement field, and leading a new digital revolution in pro audio industry.

Full Digital Processing Engine

Ø         professional audio DSP processing core and algorithms
Ø         24bit AD/DA ensures high quality sound
Ø         Enriched analog and digital input/output interfaces. Supports optical fiber, coaxial and AES/EBU.
Ø         3 band Parameters EQ input and 9 band Graphical EQ output
Ø         12 mixing channels, supporting Main output, AUX output, sub output, preview and monitor output
Ø         Built-in digital effector
Advanced HMI Interaction (Human–Machine Interaction) and Easy Operation
Ø         5” TFT true color LCD Display
Ø         Multi-languages menu, Chinese and English optional
Ø         More intuitive and user-friendly design of buttons and knobs
Ø         Virtual interface display and input level indicator
Ø         Simple and easy control method suitable for any professional and amateur
New Experiences in Digital functions
Ø         20 scene settings and tune out, fader tracking mode
Ø         Contains a wealth of EQ library and sound effects library for users ‘ free choices
Ø         USB memory interface, supporting real-time recording to the U disk, including linear and MP3 formats
Ø         Built-indigital player, one-key play memory music
Ø         IEEE 802.3 network interface, connected LAN or WIFI network, realize remote control viaTCP / IP
Unparalleled Price-Performance Ratio
Ø         Easy installation, it can replace the traditional analog mixer directly
Ø         Portable and stylish design
Ø         Comprehensive after-sales service, zero customer maintenance cost
Ø         Can be widely used in performances, conferences, schools,intelligent buildings and personal studio
Oh, so yeah, there is also a free iPad app to control this new mixer, which I assume lets you access all the mixer’s controls remotely!
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[app 661536487]

V2Mix™ Pro

Posted by Mikers On April - 15 - 2013 ADD COMMENTS

mzl.kilwsqgp.480x480-75V2Mix™ Pro is the new wireless control application for the Pivitec e32 Personal Mixer for iPhone and iPad. Wirelessly adjust your mix from anywhere. Perfect for use in Personal Monitor Mix applications or even as the main console in small sound systems. V2Mix™ Pro provides real-time control and monitoring of all mixing functions of the e32 Personal Mixer. Each channel features Pan, Volume, Mute and Solo (each stackable). 16 user-programmable presets allow quick access to favorite mixes while the intuitive “console” interface allows anyone to mix like a pro. New features include support for iPhone and iPad as well as support for both Landscape and Portrait screen orientations. Also includes a new user assignable “Custom” Fader bank allowing any of the audio channels to be assigned to any 8 of the Custom Faders for quick access to your most used channels.

Features:
– NEW – Now Supports iPhone and iPad (iOS6 and up)
– NEW – Support for Portrait and Landscape orientations
– NEW – User Assignable “Custom” Fader Bank
– NEW – Fine tune +/- 1dB fader controls
– NEW – Link Stereo Channel Pairs
– 32 Channel Faders
– Solo, Mute & Pan, Stereo Link Per Channel
– 16 Mix Presets with sequential or random access
– Master Section with Volume, 3 Band EQ and Limiter

For more details on this gear – http://pivitec.com/index.php/products/e32-personal-mixer

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Roland M-300 Remote

Posted by Mikers On April - 9 - 2013 ADD COMMENTS

One day there won’t be a single product that can’t be controlled via an iPad, and I’m sure Roland are leading the charge!

mzl.xrbdcmgi.480x480-75M-300 Remote is an application for remotely controlling the Roland M-300 V-Mixer live mixing console.

●This applications makes it possible to adjust mixing parameters from a variety of listening points on stage or around the room, away from the M-300 positioned at a fixed location.

●Combined with the easy operation afforded by the iPad’s large screen and Multi-Touch interface, this application makes it easy to remotely view and adjust settings.

It is also equally useful as a sub-display and controller when placed beside the M-300 V-Mixer.

Controllable parameters:

[Channel]
– Preamp Gain
– Pan
– Solo
– Mute
– Fader
– Sends on Fader
– 4-Band Parametric EQ and HPF
– EQ Copy/Paste/Undo

[Bus]
– Pan
– Solo
– Mute
– Fader
– 8-Band Parametric EQ
– EQ Copy/Paste/Undo

[Other]
– 31 Band Graphic EQ
– GEQ Copy/Paste/Undo
– Solo Clear
– Scene Recall/Store/Clear

Viewable-only parameters:

[Channel]
– Phantom Power Status
– Pad Status
– Gain Reduction on Gate
– Gain Reduction on Compressor
– Name and Color
– Meter

[Bus]
– Gain Reduction on Gate
– Gain Reduction on Compressor
– Name and Color
– Meter

[Other]
– Scene Lock/Filter/Fade Status
– Meter Overview

Important notes:
*Use with the most recent firmware version of the M-300.
*A wireless USB adapter (Roland WNA1100-RL) is required.

*A Wi-Fi router (wireless LAN router, etc.) is recommended but if not available, connection can be made directly to the wireless USB adapter in ad-hoc mode.

*Because the wireless USB adapter occupies the M-300’s USB port, functions that use a USB flash key (such as recording, playback, and backing up settings) are not possible while the wireless USB adapter is connected.
*A single iPad can be connected at one time. This application cannot be used concurrently with the M-300 RCS PC/Mac remote application software.

For more details and updates – http://www.roland.com/apps/m300remote/

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GLD Remote

Posted by Mikers On March - 15 - 2013 ADD COMMENTS

mzl.ptraanyl.480x480-75GLD Remote is an engineer’s mixing tool providing wireless mobile control for the Allen & Heath GLD digital live sound mixing console. It gives you the freedom to walk the room or stage and control the sound right where it is needed.

GLD Remote and the GLD console can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.

GLD Remote is intended for working with the mix and channel processing. Things you can control:

– Fader levels, mutes, pan
– Aux and FX sends, routing and Pre/Post switching
– Matrix sends, routing and Pre/Post switching
– DCA masters and assignments
– Preamp Gain, Pad and 48V
– Trim and Polarity
– HPF, Gate, PEQ, GEQ, Comp, Delays
– RTA function
– Channel names and colour
– PAFL select
– Full signal metering
– Custom strips for personalised channel layout

GLD Remote is not intended for system setup or memory access. The following functions are not available at the iPad:

– FX parameter control
– Input source, insert and output patchbay
– Channel ganging
– Aux source routing options
– Library, Scene and Show memory store and recall
– Scene Recall Filters and Safes edit
– SoftKeys
– Signal Generator
– Talkback
– System configuration, options and preferences
– User Profiles

Requirements

An Allen & Heath GLD mixing console running V1.1 or higher version firmware, with a suitable wireless router (wireless access point) connected to its Network port. The GLD console and Remote firmware maintenance version number do not need to be identical, for example Remote V1.10 would run on GLD V1.11. Refer to the Allen & Heath web site for more information and to download the latest GLD console firmware.

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Meet the iX16 Digital Mixer for iPad

Posted by Mikers On January - 29 - 2013 ADD COMMENTS
iX16_P0AWZ_Left_XLUltra-Compact 16-Input, 8-Bus DigitalMixer for iPad* with 16 ProgrammableMIDAS Preamps and USB Audio Interface

You want freedom, and not just a little… but, total freedom. The iX16 Digital Mixer gives you the freedom to work wirelessly from anywhere in the venue using basically any device you have—be it iPad or iPad mini, tablet PC, laptop or Mac computer. Our public OSC protocol will even allow developers to work on their own apps for Android devices.

Want to hear the mix in the balcony?Or, maybe the bass player wants you to help him sort out his monitor mix. With the iX16 you have the freedom to roam about and experience all elements of the main mix from any vantage point—just grab your iPad and get moving. And you can mix monitors where they’ll do the most good,right in the sweet spot on stage. Better yet,since iX16 supports being controlled by several remote devices concurrently,why not give each band member control over their own monitor mix?!

The iX16 inherits the X32’s remarkable processing as well as the fully programmable mic preamps you’ll find inside. But don’t be afraid, it also commends itself to the rather less experienced user, by focusing on a simple, streamlined workflow that can easily be grasped. The iX16 provides serious connectivity, including a bi-directional 18-channel USB audio interface for live recording, home or project studio enthusiasts looking for a major step up in quality.

Add to this a 40-bit digital mix engine that will take your music to a whole new level of sonic clarity, ULTRANET connectivity for our P16 Personal Monitoring System, and we’ve just scratched the surface of the iX16’s amazing feature set. Perfect for permanent installations, just connect your mics and speakers, grab your iPad—and fly! Professional gear—professional solutions—the iX16 Digital Mixer from BEHRINGER!

Product Features:

  • iPad* controlled 16-input, 8-bus digital mixer for studio and live application
  • 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
  • 6 TRS aux sends and 2 XLR main outputs plus phones connector
  • 18 x 18 channel USB 2.0 audio interface
  • iPad* and PC apps available for remote operation via Ethernet, LAN or Wifi**
  • 8 buses each featuring inserts, 6-band parametric EQ’s and full dynamics processing
  • Virtual FX rack featuring 4 true-stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
  • 40-Bit floating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency (0.8 msec)
  • Scene management allows full storage and total recall of your setups
  • USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
  • Integrated ULTRANET connectivity for BEHRINGER’s P-16 Personal Monitoring System**
  • MIDI In/Out for remote scene recall or controlling other MIDI equipment
  • Future firmware updates downloadable from behringer.com free of charge
  • Conceived and designed by BEHRINGER Germany

More info – http://www.behringer.com/EN/Products/iX16.aspx

AC-7 Core HD

Posted by Mikers On January - 24 - 2013 ADD COMMENTS

Don’t know how I missed this one last month. Definitely a visual improvement over the early releases. Hopefully compatibility and performance are as good as it looks.

mzl.sunkewef.480x480-75The AC-7 Core HD is the latest and greatest in Saitara Software’s critically acclaimed range of DAW controllers. It has been completely redesigned and reengineered to be the most dependable and usable universal controller possible.

No longer does it feel like a software emulation of a hardware device, it’s now a real, practical alternative to expensive hardware controllers.

We’ve had almost 3 years of customer feedback on our older controllers and have tried to implement as many of your suggestions as we could into this release.
Huge thanks go out to those who got in touch with us!!!

The AC-7 Core HD takes full advantage of the power of newer iOS 6 iPad models, and is designed with controls large enough to be comfortably used on the iPad Mini.

For users of the first generation iPad, the original “AC-7 Core” app is still available.

Some Key Features:

* Wireless MIDI connections can be handled in-app, so there’s no need to go into your computer settings each time you use it.

* An optional Latency Reduction setting keeps network latency as low as possible and reduces the likelihood of dropped connections.

* Knobs, faders, buttons and meters react smoothly, quickly and realistically… no matter how heavy the MIDI workload.

* The advanced control buttons visible in the app can be customised by simply scrolling button sets left and right. Of course your settings will be remembered for future use.

* There are custom button layouts for:
Apple’s Logic Pro
ProTools
MOTU’s Digital Performer (version 7 or newer)
Cubase / Nuendo
Cakewalk Sonar
Cockos Reaper
Ableton Live
Reason
Sony Vegas
Presonus StudioOne
Adobe Audition
Mackie Tracktion
Final Cut Pro (versions prior to Final Cut Pro X)
…but any software with support for the “MCU” or “HUI” protocols should work too.

* Crystal clear Retina display support for iPad 3rd generation and newer.

* Works without any extra drivers on OS X, but Windows users will have to install an RTP driver like “RTPMidi”

A user guide can be downloaded from our website for users new to the AC-7 Core range, but existing users should have no problems adjusting.

** An apology **
It was not possible to offer this iOS6 version as a free update to owners of the original AC-7 Core app because a large part of our user base is still using the first generation iPad (which can’t be upgraded to iOS6), and could lose the ability to run the app if they e.g. updated through iTunes.

The price will remain low for the first month after release to enable existing users to upgrade cheaply.

Check it out in action

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J-KART

Posted by Mikers On January - 20 - 2013 ADD COMMENTS

mzl.sikorzla.480x480-75An audio engineer’s best friend; J-Kart is a music player designed for live broadcasts and live events for use with the iPad. The software is stand alone, so you can use it anywhere at any time without needing to be online. The application uses audio files stored on your iPad.

J-Kart gives your ability to queue up your song, track, and sound file with the ease of markers and makes it easy to loop within the song – and all this can be done while you’re mixing your live event. Load, edit etc. while mixing or set it all up beforehand.

• With J-Kart you can load up to 120 audio files

• The program is easy to use with 10 pages, each page containing twelve cells.

• Each audio track can be edited, by clicking on the edit button within the cell to edit the waveform

• From the edit page you can set markers and loop markers for playback

• Stop, pause and play audio tracks from anywhere in the song

• Cross fade between audio tracks with 1, 3 or 5 second fades

• Record a playlist and send by email – the email will contain all the metadata from the track

• Color code music categories for easy reference

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Auria LE

Posted by Mikers On January - 10 - 2013 ADD COMMENTS

mzl.rrhzmild.480x480-75Auria LE – the professional digital audio recording system for iPad.

“This is the first mobile mixing (AND recording AND post production) app that I’ve ever used that is truly professional. Just Wow !” – David Kahne (Grammy winning producer/engineer for Paul McCartney, Tony Bennett, Stevie Nicks, Sublime, The Bangles, Ingrid Michaelson, Regina Spektor)

•TEC Awards 2012 Nominee•
•Computer Music Innovation Award•
•Computer Music Performance Award•
•Sound on Sound 2013 Awards Nominee•

Experience the power of Auria in a streamlined version. Record, edit, and mix your music using essential tools taken from the full version, but in a less expensive package designed for those who don’t need every feature packed into Auria.

Auria LE is a 24-track digital recording system designed from the ground up for the iPad. With professional-level features and optional third-party plugin support from names like PSPaudioware, Overloud, Fab Filter and Drumagog (available via In-App purchase), Auria clearly sets a new standard for mobile recording.

“Prepare to be amazed.” – Computer Music Magazine

“…I was immediately convinced that this is the hottest musical app to make it to the iPad so far…” – Recording Magazine

FEATURES:
• 24 tracks of simultaneous playback of stereo or mono files (upgradable to 48 tracks).
• Up to 8 tracks of simultaneous recording when used with compatible USB audio interfaces (upgradable to 24 tracks of recording) Camera Connection Kit required.
• 24-bit recording
• Supports sample rate of 44.1KHz only (upgradable to support 48K and 96K sample rates)
• Vintage-inspired ChannelStrip on every channel by PSPAudioware includes Expander, Multiband EQ and Compressor
• MasterStrip on all subgroup and master channels featuring PSPAudioware BussPressor, EQ and Mastering Limiter
• Third party VST effect plugin support available via in-app purchase (only iOS-version plugins are supported. All plugins must be purchased through the in-app store)
• ClassicVerb reverb plugin included
• StereoDelay and StereoChorus plugins included
• 2 Assignable subgroups(upgradable to 8) and 2 aux sends
• Powerful waveform editor with features like cut/copy/paste, duplicate, separate, gain, and more
• Flexible snapping tools allow snapping to events, cursor, bars, beats and more
• DropBox, SoundCloud and Audio Copy/Paste support
• Full automation support on all controls with graphical editing
• True 100mm faders when used in Portrait Mode
• Optional video import feature allows sample accurate sync of video to an Auria project with adjustable offset times and video export capability
• Timeline ruler options include minutes:seconds, bars:beats, samples and SMPTE time
• Auto-punch mode
• Full delay compensation on all tracks and subgroups
• Adjustable metering modes, including pre or post fader, RMS and peak
• Adjustable pan laws
• Sample accurate loop function
• Automatic sample rate conversion
• Built-in metronome

Includes a demo song mixed on Auria by Grammy winning producer/engineer David Kahne.

REQUIREMENTS:
iPad 2 or later strongly recommended.
Requires iOS 5.0 or later
USB audio interfaces require Camera Connection Kit

AudioCopy and AudioPaste are registered trademarks of Sonoma Wire Works.

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iLive OneMix

Posted by Mikers On December - 20 - 2012 ADD COMMENTS

mzl.jcjzwtag.480x480-75iLive OneMix personal monitor control application V1.90 for iPad

OneMix is a cut down version of the iLive MixPad app that locks control to a single Aux mix. Multiple iPads may be set up by the ‘Admin’ user to give each musician customised personal monitor control via Wi-Fi connection to iLive without the risk of affecting the other monitors or FOH main mix.

V1.90 is the first release of OneMix for iLive. It is compatible with iLive systems running a version of V1.9 firmware.

OneMix features:

Provides access to just one mono or stereo Aux mix
Prevents access to the other monitors and FOH main mix
Can be configured to provide as much or as little control as needed
Shows metering of sends and Aux master
Can be password protected
Can personalise the OneMix colour scheme
Can run multiple iPads alongside iLive MixPad, Editor and Surface

Logon as a User provides control of:
—- Aux master level, mute and limiter
—- Aux master PEQ, GEQ and Comp if enabled
—- Send levels and stereo pan to the Aux
—- Send Mute, Gate, PEQ, GEQ, Comp if enabled

Logon as Admin allows custom setup:
—- Set a OneMix session name to identify the user
—- Choose an Aux mix
—- Assign up to 4 custom layers
—- Assign up to 32 strips per layer
—- Assign sends – Inputs, FX returns, Groups
—- Assign blank spaces in layers
—- Name each layer
—- Enable or disable channel processing per layer

OneMix does not support Dual-Rack.

Requirements:

iPad with iOS5 or higher. Any iLive MixRack running firmware version V1.90 or higher, and with a suitable Wi-Fi router (wireless access point) connected to one of the iLive NETWORK ports. The iLive firmware version maintenance number does not need to be identical to the OneMix version, for example OneMix V1.90 will run on iLive V1.91.

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