DAW Remote received many 5 star reviews. Now, for better experience, we introduce a well-designed HD version for iPad.
DAW Remote HD is a wireless DAW(Digital Audio Workstation) software controller just like your hardware control surface. Instead of getting stuck in front of your computer to compose, record, and produce music/audio, you can use your iPad with DAW Remote HD to control DAW functions anywhere in your studio (wirelessly). Why? Because let’s face it, wires suck!
DAW Remote HD supports Logic Control Protocol, HUI protocol and Mackie Control protocol and compatible with both MAC and Windows.. It works with almost every DAW softwares. It provides three especially optimized control surface for Apple Logic®, AVID ProTools® and Ableton Live®.
DAW Remote uses Network MIDI with Apple Bonjour over WIFI network and Ethernet, you DON’T need to install ANY softwares or drivers in your Mac to enable it. For Windows user, you should install rtpMIDI to enable MIDI Network function.
By using DAW Remote, you can:
1. Forget about messy complex-functioned studio controller, focusing on your inspiration.
2. Easy to control tracks.
3. Get creativity in an environment away from the computer
4. Remotely control your DAW softwares from onstage in live performance without messy cable runs.
5. All functions just like hardware control surface.
=== DAW Remote HD Features ===
★ Supports Logic Control Protocol, HUI protocol and Mackie Control protocol
★ Three optimized control surface layouts for Logic, ProTools and Live.
★ Cross Platform. Compatible with MAC and Windows.
★ Well designed.
★ Supports the new iPad Retina display.
★ Powerful Instructions, Help and FAQ to help you setup connection much easier
★ Use Wi-Fi to connect with host computer
=== Supported DAWs ===
★ Apple Logic Pro/Express
★ AVID ProTools
★ Ableton Live
★ Steinberg Cubase
★ Steinberg Nuendo
★ FL Studio
★ MOTO Digital Performer
★ Adobe Audition
★ Cakewalk Sonar
… and any DAW supports Mackie Control Protocol
For more supports please visit our website:
Audio Engineer is a useful array of studio calculators and reference material for on site use in the audio recording environment. It can be used by seasoned acousticians, amateur music enthusiasts and audio engineering students. Below are detailed outlines of the features in Audio Engineer.
Technical consultation provided by Michael Stavrou (author of the bestselling audio engineering book “Mixing With Your Mind” – www.mixingwithyourmind.com) and James Englund (music producer at Crash Symphony Productions based in Sydney).
*** Reference ***
The reference section contains a series of photos of different miking techniques. It contains examples for the following:
– Fundamentals (A-B, Blumlein, M-S and X-Y)
– Acoustic Guitar
– Amplifiers (Guitar and Bass)
– Drums & Percussion
– Strings (Violin, Cello, Mandolin and Ukalele)
The photos demonstrate different methods of recording the above instruments with brief descriptions of each technique. This is perfect for students who have just entered the field of audio engineering and even useful to experienced engineers.
*** Calculators ***
** BPM – Time
This gives the relative delay times in milliseconds for a specified tempo. It is useful for non-grid recorded music that requires time based delay. It also can be used to set accurate release times for compression units.
** Note – Frequency
Find the frequency of any specified midi note. One example of usage would be to cut out a particular prominent note by EQing based on the frequency correlating to the offending note.
** Sample Rate
This calculator provides tempo and pitch shift for a change from one sample rate to another.
** Scale Frequency Chart
Provides a listing of frequencies for any given major or minor scale. Useful for harmonic mixing and cutting/boosting consonant and dissonant frequencies.
** Distance – Time
Deals with the related variables of distance, time and temperature. Helpful for live situations as well as studio applications where wavelength and phase concerns are prominent.
An educational tool for understanding the concepts of compression and expansion. It gives a graphical output based on the variables of the compression unit.
** Room Modes
Provides a graphical and tabular output showing the standing waveforms in a room of any given three dimensions. Helpful for treating an acoustic space and understanding the acoustic properties of any given mixing space.
Ok, it’s not a massive update, but for owners of Music Studio that also own the a shiny new iPad, make a bee line for the update button so you can download the latest version, which now supports the ‘new’ iPad’s Retina display!
What’s New in Version 2.0.7
• Retina display support for the new iPad
• Graphical glitches on the new iPad fixed
Here’s the latest ‘tuition’ video from the team at macPro, which focuses on recording. As usual, the app is free to download, and then there are in-app purchases.
The Art of Recording is the art of making your sonic vision a reality … and it IS an ART!
This App contains Tutorial-Videos that show you how to record instruments for your musical compositions. Divided into downloadable modules you can select as needed, you’ll learn microphone placement skills and tracking techniques that will let you record perfect, drums, guitars, vocals, strings, and more.
A great recording is the secret to an amazing song, and this App shows you how it’s done.
For more information, visit macProVideo.com.
I’m loving the look of this new app, and look forward to more from this developer! It’s getting some great feedback already too…
csGrain is a real-time audio processing and recording tool that lets you create new sounds and new musical textures by transforming your voice, your instrument, or your favorite songs from your iTunes library in subtle or dramatic ways – all with the power of CSOUND. Under the hood is a stereo granular sound processor and 10 additional professional audio effects – all realized through a single Csound orchestra that is simultaneously: rendering, processing, sampling, resampling, synthesizing, resynthesizing, playing, reversing, delaying, triggering, gating, compressing, limiting, chorusing, flanging, echoing, filtering, pitch-shifting, harmonizing, granulizing, and recording – in any combination – all in real-time, and all 100% being done with the power and exquisite sound quality of CSOUND – the world’s premier software synthesizer and signal processor.
A Live Audio Multi-Effects Processor
Import and Remix Songs from iTunes or “myTunes” (your Tunes!)
Email-based File Transfer
AudioCopy/AudioPaste to/from other iPad Apps
MIDI Trigger and Control of All Paramaters
Support for Professional External Audio and MIDI Interfaces
Exquisite and Imaginative Presets
A Comprehensive User Manual
One of this year’s most anticipated apps for the music making world is Wave Machine Labs’ Auria, with its traditional looking user interface, 64-bit architecture, 48 audio tracks, VST effects, and much more.
Chris Miller from WaveMachine Labs was kind enough to answer a few of my questions on this very promising looking iPad app.
What was the inspiration/motivation behind developing Auria?
The mobile recording community was in need of a professional-grade recording app.
How long has Auria been in development for? And how many are on the team that worked on it?
Auria has been in development for a year, done mostly by our President, Rim, and with lots of contributions from the PSP team.
Auria’s UI looks more like a traditional DAW system than any other iPad multitrack apps before it, what was the thinking behind taking this approach?
Auria is meant to be a serious, professional app. We tried to recreate as close to a fully functional DAW on the iPad as we could.
Multitrack recording is obviously dependant on the audio interface available to users. Which model(s) have you had the best success with?
A list of tested and compatible interfaces is available at our website, auriaapp.com.
The specs state it’s possible to record up to 24 tracks at once. What hardware have you been able to do this with?
So far, the most we’ve gotten to record at once is 18 (limited by the interface), but the software supports more.
Why hasn’t VST been done in DAW apps for iPad until now? Was this particularly tricky to implement?
It wasn’t particularly tricky; it just feels that the requirement that all code be pre-loaded (and therefore not technically plugins in the sense that they’re not cross-platform) onto an Apple app has disenfranchised Plugin developers to developing version for the iOS platform.
What sort of limitations (if any) are there on the number of effects plug-ins and mix bus routing you can do per track?
Plugins add a few percentages of CPU each, but with the ability to freeze tracks, the effects can be printed and the plugins removed to free up processing power.
How many plug-ins will ship with Auria, and can you provide details on the plans to offer more in the future as in-app purchases?
Auria will ship with a handful of plugins built in, and there will be 10-20 available for in-app purchase. We will certainly add more with future updates.
Will Auria offer support for virtual instruments?
There will not be any MIDI or VSTi support in the first release.
I’m guessing there’s a good chance we’ll be seeing a version of Drumagog available at some stage, yes?
Drumagog will be available as an in-app purchase.
Are there any differences between the existing PSP plug-ins and the versions available in Auria?
There are slight differences, mostly to make them simpler and more efficient for the iPad.
What sort of compatibility is possible between Auria and external DAW software?
Auria supports full AAF Import/Export, so session data can be exchanged between Auria and virtually every major DAW.
For people who work with other iPad music apps, what type of support does Auria offer? AudioPaste? External syncing? WIST (Wireless Sync-Start Technology)?
Auria supports AudioPaste.
There looks to be a comprehensive list of audio editing options. Will you be able to scrub back and forth over single and multiple tracks of audio?
Scrubbing is not an option in this release.
Is the rendering of stereo mix downs done in real time, or faster?
Faster than real time.
Have you noticed any performance differences in running Auria on iPad 1 and iPad2?
The iPad 1 has been limited to 24 tracks, but other than that it’s pretty similar.
Is Auria Optimised for the new iPad?
Auria will run the same on the new iPad.
Wave Machine Labs Auria still doesn’t have a confirmed launch date. When it was first announced, it was expected to arrive in the first quarter of this year, which expires this weekend, so we should be expecting to see it appear in the very near future. For the latest on Wave Machine Labs Auria, head to the official site – auriaapp.com
Alesis has done it again. The company has developed another IO dock for the iPad, this time with the focus on tactile mixing thanks to the inclusion of a 4 channel mixer. Read on for a full run down.
The Alesis iO Mix is the first device that turns your iPad into a powerful portable studio, allowing you to record multiple mics or instruments directly into GarageBand or any other compatible Core Audio app.
With the iO Dock, Alesis was the first to make your iPad studio-compatible. Now with the iO Mix, your iPad becomes your studio. All the connections you need are onboard, including four combo XLR-1/4″ input channels and balanced, stereo 1/4″ outputs. The iO Mix also has a video output, making it perfect for everything from presentations and corporate meetings to home entertainment and live performance visuals.
ROOM FOR FOUR
With the iO Mix’s four-channel capability you finally have everything you need for mixing and recording on your iPad, all in one device. There’s no more clunky dongle connections or USB cables needed. Your iPad is seamlessly integrated into a compact mixing console that will be immediately familiar and easy to use. When you close iO Mix’s hinged door, your iPad is completely enclosed and secure — you’ll hardly be able to tell that they’re separate devices.
CONNECT & CREATE
iO Mix allows you to connect virtually any piece of recording gear to your iPad: microphones, instruments, speakers, headphones and more. Four combo XLR-1/4″ input channels are exactly where you need them on the rear of the unit. Each has trim, channel gain, pan, and low & high EQ controls located right in front of you. Push-button High Pass Filters are also available on each channel to eliminate low-frequency interference in live mixing and recording situations.
STUDIO TO GO
With its compact design, iO Mix is the perfect portable studio. Bring it to your band’s practice space, coffeehouse gig or weekend recording session. Switchable 48V phantom power allows you to use studio condenser microphones and iO Mix’s guitar-direct switch makes guitar recording easy. You don’t even need an amp! Simply connect your guitar or bass, flip the switch and use your iPad to add effects like reverb and delay. Balanced, stereo 1/4″ outputs and 1/4″ headphone output are also onboard along with a switchable limiter for clip-free recordings.
iO Mix is Core Audio-compliant, allowing you to use it with virtually any app in the App Store. Plus, your iPad’s WiFi, Bluetooth, AirPlay, and 3G connectivity, allow you to tailor your sound at a moment’s notice or playback audio through compatible wireless speakers. Download new effects or filters to deal with unexpected live sound needs, or download songs, videos or entirely new applications to keep your audience entertained during a gig or the band’s creative energy flowing during a recording session.
Along with its four-channel mixing and recording capability, the iO Mix’ s ability to playback video makes it ideal for applications that were previously impossible. You can use the iO Mix to not only mix and record, but also playback live performance visuals behind the band. The iO Mix is also great for corporate presentations and business meetings, allowing up to four speakers to be mic’d and have video playing back simultaneously. With the optional Alesis Module Mount, you can attach the iO Mix to a nearby mic stand and have easy access to instantly adjust any mixing, recording or video-playback parameter.
Turn your iPad into a portable mixer and flexible recording studio, with the iO Mix, only from Alesis.
For more details – http://www.alesis.com/iomix
Sonoma Wire Works has just made life easier for those who use both their recording app, and virtual guitar amp app, by incorporating them in the one app! StudioTrack Multitrack Recording iPad App Adds GuitarTone Amps and Effects, a Tuner, and GuitarJack Controls for High Quality Sound, Stereo Recording, and Simultaneous Instrument and Voice Recording.
Here’s what’s new in the latest update to StudioTrack –
• GuitarTone Amps & Effects: Interpretations of essential vintage and custom amps and pedals. GuitarTone includes three free amps (’60 Slant, Custom and Tweed Blues) and three free effects (UltraPhase, Drive+ and Va-Room), with additional tones available for $9.99 per 12-pack. Amp and effect packs purchased in the GuitarTone app are activated in FourTrack and StudioTrack. GuitarJack activates $19.98 worth of GuitarTone amps and effects while connected.
• Free High Visibility Tuner: Fast, accurate tuning
• GuitarJack Control Panel – Adjust input settings of Sonoma’s GuitarJack high quality audio I/O interface for iPhone, iPad and iPod touch. Select 1/4-inch line in, stereo 1/8-inch line in, or use both inputs simultaneously to record onto two tracks at once. GuitarJack’s 1/8-inch stereo line/headphone output offers increased drive for headphones. GuitarJack features Lo-Z and Hi-Z modes, 60 dB of continuous level control, a 12 dB pad for 72 dB of adjustment and a 24-bit AD/DA converter.
A full run down on StudioTrack can be found here – http://www.sonomawireworks.com/iphone/studiotrack/
A full run down on GuitarTone can be found here – http://www.sonomawireworks.com/iphone/guitartone/[appext 362370888]
Did you ever wish you could carry one of the world’s greatest engineers in your pocket or backpack? While MicVault Studio doesn’t make that possible, it comes pretty close. Whether you are a seasoned pro or a serious hobbyist, every audio engineer, musician, and home recordist finds themselves needing advice on deciding what microphone to use on a particular sound source from time to time. If you don’t have the phone numbers of the world’s top engineers on speed dial, MicVault Studio will instantly save your day by offering microphone selection advice from Michael Wagener, Shane Wilson & Russ Long, three of the best. MicVault Studio includes microphone recommendations for everything from drums and percussion, to strings, guitars and vocals. And, if the recommended mic is beyond your price range, the engineers offer a low-budget alternative (if they feel there is one).
These three engineer’s credits run the gamut of commercial music and include artist’s such as Switchfoot, Wilco, Ozzy Osbourne, Metallica, Steven Curtis Chapman, Michael W. Smith, Mötley Crüe, Extreme, Hannah Montana, Relient K, Janet Jackson, Queen, Dokken, Mercy Me, Alice Cooper, Poison, Dolly Parton, Amy Lee (Evanescence), Guy Clark, Megadeth, Sixpence None the Richer and Chris Tomlin. MicVault Studio makes the experience these engineers gained while working with these artists available to you in a simple, quick and easy-to-use interface.
The easy-to-use app includes photos of all of the recommended microphones, as well as links to the microphone manufacturer’s websites.
Bit of a quiet week on the shiny new music apps front, though here’s details on the latest update to one of the early multitrack recording apps for iPad from Sound Trends. It’s by no means massive overhaul, but the new features are welcomed additions.
– 24 DISCRETE AUDIO TRACKS, each with automated mixing and FX
– EMAIL MIXDOWNS or PROJECT ARCHIVES
– EXPORT of MIXDOWNS or PROJECT ARCHIVES to “another app”
So now it’s easy to bring your mix into another app like Twisted Wave for further editing, or to use Dropbox for archiving your mixes and Projects to “the Cloud”!
And of course we also added SoundCloud support in the last release, so of course you can get your tracks to Facebook.